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John Cale will representing Wales at the Venice Biennale of Art 2009 with a new, specially commissioned installation:

The Arts Council of Wales announced that John Cale will represent Wales at the Venice Biennale of Art 2009 with a new, specially commissioned installation. The Venice Biennale, inaugurated in 1895, is the world’s pre-eminent showcase for contemporary art, and 2009 will be Wales’ fourth presentation at this prestigious event.

Born in Garnant, South Wales, John Cale attended Goldsmiths College, London. In 1963, Cale moved to New York, where he met LaMonte Young, Andy Warhol, and Lou Reed, with whom he founded The Velvet Underground. For Wales at Venice 2009, Cale will produce a new audio-visual work made in Wales, in collaboration with artists, filmmakers and poets. The work has at its heart Cale’s own personal relationship with the Welsh language and the issues surrounding communication. The work will fill the majestic Capannone space at the Ex-Birreria, the old brewery building on the island of Giudecca and home to Wales’ three previous presentations at the Biennale.

John Cale said: “As surprised and honoured as I was to be asked to contribute to the Welsh presentation at the Venice Biennale of Art 2009 it also was a challenge that I eagerly accepted. It offers an occasion to address certain pernicious issues in my background that had lain dormant for so long. There are certain experiences uniquely suited to the exorcism of mixed media and I am grateful for this opportunity to address them.”

Acknowledged as one of the greatest collaborators and producers, Cale has worked and performed with, among others, The Stooges, Terry Riley, Brian Eno, Happy Mondays, Modern Lovers and Patti Smith. Cale more recently has worked with Welsh bands, Manic Street Preachers and Super Furry Animals, with filmmaker Marc Evans on Beautiful Mistake (2000) and Dal:Yma/ Nawr (2003), and on numerous international films.

Cale’s own writing and music has always resonated with the bleakness and solemnity of the Welsh landscape, as well as the rich tradition of Welsh language strict metre poetry. Himself a published poet, he acknowledges the influence of Dylan Thomas in the troubled souls of his protagonists.

Cale is known for his exploration of the limits of sound, and cites John Cage as a significant influence upon his work. In early sensorial multimedia experiments and performances with the Theatre of Eternal Music, Cale blurred the boundaries of music, film, performance and visual art. He anticipated what has come to be accepted as sound art, and the DJ-centric sublimation of the nightclub experience, while fashioning a language of his own.

For Bruce Haines, Curator for Wales at Venice 2009, the Venice Biennale provides an exceptional opportunity to work with Cale: “John Cale has demonstrated a focused athleticism in his practice since he started working in the mid 1960s. While commercial success has not figured greatly in his career, Cale’s work is consistently admired and acknowledged as having a significant influence and inspiration on many artists internationally. As the premier art event in an over-subscribed art calendar, the Venice Biennale of Art has, since its inception, consistently showcased the most interesting and divergent practices in an often multi-disciplinary way – a key characteristic with which Wales will again engage in 2009.”

Mari Beynon Owen, Commissioner, Wales at Venice, said: “The new work will involve collaboration and interaction with creative practitioners in Wales leading up to June 2009, and we hope that it will inspire and energize a flow of creative interventions beyond the duration of the Biennale itself.”

Commenting on the selection, Chief Executive of the Arts Council Nick Capaldi added: “John Cale's unique contribution to contemporary art practice establishes his position as one of the art world's most significant and influential individuals. It is a contribution that deserves to be celebrated, and the Arts Council of Wales is delighted that he has agreed to represent Wales in Venice next year.”

Alun Ffred Jones, Minister for Heritage for the Welsh Assembly Government, said: “John Cale is a 'bard' in the widest sense - an artistic craftsman, whose work is firmly rooted in Wales’ cultural history, and it will be exciting to see how this manifests itself on such an important international platform.”

» walesvenicebiennale.org

(Thru artdaily.org)

(Thanks: Leon Hanssen)

Phish is playing in waist high reverb on their mammoth 8CD At The Roxy. Recorded live Feb 19, 20, 21, 1993 Atlanta, GA, the three night stand tends to get overshadowed by the second set of the second night, an unprecedented segue fest/tease galore monster (kudos if you can name the random Wilson shout without looking it up).

Culled from 2-track master DAT's recorded by Paul Languedoc the shows were remastered by Fred Devorkian. It sound compressed, which is fine for MP3 (make it LOUD), but you loose the nuances when you play it on a half-decent audio set-up. Another beef: the packaging in a slip case with CD-covers that will spill their contents without warning and a folded leaflet with a very low information rate.

Phish are in top form, obviously enjoying their first ever three night stand as headliners, punching above their weight sometimes (Moby Dick as a birthday vehicle for Fishman) and spreading the composed stuff neatly over each night (YEM, Fluffhead, Punch You In The Eye). The band were a bit tired during the third night, playing a shorter set but ending with a great three song "bluegrass" Phish. They were going to be huge, turn into a funk monster, but in 1983 they were a quartet of musicians who would throw in every bit of musical influence they had been sampling over the years. Eclectic and energetic At The Roxy is a worthy document of the early nineties Phish.

At The Roxy is released on JEMP Records. Buy it from Phish Dry Goods.

Tracks:

MP3: Phish - Funky Bitch
(1993/02/19 w/ Jimmy Herring)
MP3: Phish - Buried Alive
(1993/02/21)
MP3: Phish - Good Times Bad Times > Paul and Silas > Pig In A Pen
(1993/02/21 - w/ Jeff Mosier)

» phish.com

Two Phish freebies from the new LivePhish release of the 12/30/1997 MSG show. The songs are also available as separate video files.

MP3: Phish - AC/DC Bag
Video: Phish - Carini

Buy MP3 | FLAC or CD. Specially priced bundles for CD+MP3, CD+VIDEO, and FLAC+VIDEO.

photo: Sabrina Armani

Canadian rock band The Mississipi Kings have announced five live dates in Italy:

• 01/14 Arci Taun, Fidenza, Parma
• 01/15 Velvet Underground, Castiglion Fiorentino, Arezzo
• 01/16 Feedback Foligno, Perugia
• 01/17 Bloom, Mezzago, Milano
• 01/18 Alice Nella Citta, Castelleone, Cremona

The band hopes to play more shows in Europe.

MP3: Mississippi Kings - Sailing On The Ocean
MP3: Mississippi Kings - Bad News Blues

» themississippikings.com
» myspace.com/mississippikings